the NachtKabarett

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The symbol of The Golden Age of Grotesque era is a regular black rhomb with a double white border against a black background, the outer border is thicker than the inner one. There are two stylized white capital M letters inscribed within the rhomb.

The symbol is obviously stylized after the SS insignia - the insignia of the a the Nazi Schutzstaffel, the authority of Himmler's Gestapo secret police who were protective and repressive in their functions and were the main tool of mass terror in fascist Germany. It is testified by the two white capital M letters (Marilyn Manson initials) of a specific typeface against a black background.

The SS insignia is made up of two "siegel" runes that symbolize achievement of the object, a victory. In this case this rune is replaced with "ehwas" one which symbolizes movement, change, progress. "Ehwas" has a strong charge of Mercurial energy.

Aside from the SS insignia the specific outline of two M letters goes back to the Nazi Eagle, one of the main symbols of fascist Germany that embodies strength, power and might. In this context, by viewing the Marilyn Manson MM as representative of two eagles this is not-accidental connotation, as in alchemy the double eagle is a sign of Androgyne; Mercury.

The rhomb is a symbol of rigidity, power and might. But at the same time it is a sign of creative energy, female and erotic symbol. White is the color of purity and perfection. Furthermore it is color of the woman and lunar principle, one of the two colors of Mercury. Black is the color of honor and future rebirth but it is also color of mourning and death. Black and white contrast is a well-known sign of antagonism between good and evil.

The dominating idea of this symbol is uniting opposites, androgynous and ambivalent subject-matter (black and white contrast, Mercury references). Uniting contradicting extremes is the main theme of Marilyn Manson's creative pursuits, especially accented in The Golden Age of Grotesque.

A part of this theme is the motive of unity between the beginning and the end. The symbol signifies the beginning of a new era in artist's creative work ("ehwas" rune, mercury as a sign of change) but at the same time Mercury references connect this symbol to the one of the previous Holy Wood era, while stylization under SS insignia takes us back to the symbol of the Antichrist Superstar era. Additionally the peculiarity of The Golden Age of Grotesque is its connection to almost all previous records. The motives of uniting the beginning and the end, of rebirth and change can be traced during the whole Marilyn Manson's creative pursuits.

Much should be set on the usage of Nazi emblems, because Nazism is one of the main album themes (that bring us back to the Antichrist Superstar era again). According to Manson during the conceiving of The Golden Age of Grotesque he took inspiration from "the extreme height of cabaret decadence and so-called "degenerate" art in Weimar Berlin just before its destruction", i. e. before Nazis seized power.

Nazi elements within the symbol are combined with the sings of the women (white color, Mercury references) that represent another main album theme - eroticizing everything, including fascism as means of its overcoming.

The line "We drive our deathcrush diamond Jaguar limousines" from the song The Golden Age of Grotesque is a certain figurative description of the 1930's era.

Jaguar, a British manufacturer of luxury cars, presented the first models of its automobiles at the beginning of the 30s. At that time the company beared the name Swallow Sidecar, which was often shortened to SS, therefore the whole prewar model range was named SS: SS I, SS 90, SS Jaguar, etc.

Strangely enough the company's logo - two S letters of a specific typeface in a hexagon (hence the attribute "diamond") - strikingly resembled Schutzstaffel (SS) insignia, the corps of the Nazi Party that ere growing stronger then.

Note the similarity to the car Manson rode in the video of This Is The New Shit, as well as the similarity of the Nuremburg-esque setting of the video and this poster ad.

The situation becomes even more bizarre if we compare one of the Swallow Sidecar's logos and the symbol of the Nazi Party (NSDAP). In the context of the album this accidental coincidence becomes a sign of a fatal inevitability.