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Sisyphus is a figure in Greek mythology who was punished by the Gods for betraying their secrets and for his deceit on earth by being damned to an eternity of rolling a boulder up a never ending hill in Hell. In a comedic context an animated Sisyphus was also parodied in a Red Bull energy drink commercial circa 2005

A pun on the song title of former Bauhaus singer and goth-rock found, Peter Murphy, 'The Line Between The Devil's Teeth (And That Which Cannot Be Repeat)'. Manson also stated that 'If I Was Your Vampire' "is the new 'Bela Lugosi's Dead.' It's the all-time gothic anthem".

"Rebels without applause"' is an allusion to the 1955 film, "Rebels Without a Cause", staring James Dean; a celebrity who appeared among many others in a series of flashing images during several performances throughout the Guns, God and Government world tour.

The working title for said track was quoted by Manson as being, 'Rebels without applause'. The above photo is of James Dean as it appeared during the live performance of 'The Death Song' on 2000-2001's Guns, God & Government tour which featured a flashing loop of dead and martyred celebrity as reflective of the song theme.

In a less cartoonish, nightmare vision of Manson's which Eat Me, Drink Me's title track lyrically depicts, it isn't difficult to imagine a lock as the above but literally defiled by forced fellatio. As a historical literary allusion however, 'The Rape of the Lock' is an epic poem written in 1712 by Alexander Pope.

The poem itself is a satire of traditional epics and depicts a fantastic world of imaginary spirits, called 'sylphs', in place of the Gods in the conventional epic. It was inspired by the real life incident of a British nobleman who cut a lock of hair off the head of the woman whom he admired, the daughter of an equally powerful family. The event caused a rift between these two prominent families and Pope's poem was conceived to mend the rift between them.

It was later, posthumously to Pope, illustrated by Aubrey Beardsley whom Manson paid homage towards on The Golden Age of Grotesque (see MANSON as THE ARCH DANDY OF DADA writing on The NACHTKABARETT).

The allusion relates, on a surface level, to the Biblical story of Samson and Delilah that Manson has previously used as a metaphor to illustrate his personal transformation during the formative stages in composing The Golden Age of Grotesque. In this case, the subtle metaphor for evolving his appearance by cutting his hair to fit the era.

Eat Me, Drink Me, admittedly being Manson most personal work to date contains many lyrical revisitations to past writings and innermost thoughts from the MarilynManson.com journal to the 2003 short film DOPPELHERZ.